Trinity-Izmailovsky Cathedral. Holy Trinity Cathedral Trinity Cathedral in

The Trinity-Sergius Lavra is one of the most ancient and revered monasteries in Russia. Its founder and first leader was Sergius of Radonezh himself, whose relics are laid to rest in the local cathedral. The Trinity Cathedral of the Trinity-Sergius Monastery is the oldest building that has survived to this day. It is still in effect: anyone can enter and pray or stay for the service.

Trinity Sergius Lavra

In church texts, it is usually called the Holy Trinity Sergius Lavra. Today it is the largest Russian male monastery, which belongs to the Russian Orthodox Church. It is located on the Konchura River in the center of Sergiev Posad. Despite its solid history, it is still active and attracts pilgrims from all over the world. The monastery is stauropegial, that is, it reports directly to the patriarch.

The history of the monastery - the first decades

The history of the monastery began in 1337, when the brothers Bartholomew (the future Sergius of Radonezh) and Stefan, a monk of the Intercession Monastery, settled on a hill ten versts from Khotkovo. They soon built a small wooden church of the Holy Trinity, consecrated it in 1340, and several cells. All buildings took up little space and were located in the southwestern corner of the modern Lavra.

A few years later, Stefan went to the Epiphany Monastery, and Sergius was left alone. Gradually, other hermits began to settle near him. Soon a monastery appeared on the site of the desert. The first abbot was abbot Mitrofan, who tonsured Sergius as a monk.

At that time, the entire territory of the monastery was divided into three parts: residential, public and defensive. In the center stood the Church of the Trinity and the refectory, they were surrounded by cells. The latter were followed by vegetable gardens and other household services.

Along the perimeter there is a wooden palisade, over the fence of which a wooden church of Dmitry Solunsky was built. It is noteworthy that such a plan has been preserved in the Lavra to this day. The Trinity Monastery quickly became the spiritual center of Rus': in 1380, before the battle with Mamai, Prince Dmitry Donskoy came here to receive a blessing.

Sergius of Radonezh died in 1392. Six months before his death, he handed over leadership to his beloved disciple Nikon of Radonezh.

After the death of the pastor

The subsequent history of the monastery is quite remarkable. At the beginning of the 15th century, the monastery was plundered and burned by the Tatars under the leadership of Khan Edigei, but these were the last dark days. For the next two centuries, no one touched the monastery: it developed, rebuilt and rebuilt, chronicles were compiled here, books were copied, icons were painted. In the 15th century, the Life of St. Sergius of Radonezh was created in the Trinity-Sergius Monastery, which became the largest literary medieval monument.

The first stone church appeared in the 20s of the XV century: it was the rebuilt first church of the monastery, which was erected by Sergius of Radonezh. His relics were transferred here, Andrey Rublev and Daniil Cherny were involved in the design. Rublev's famous "Trinity" was written specifically for the Trinity Cathedral.

The princes of Moscow did not forget the monastery: they came here to pray before the campaign, they stopped by after the victories. Ivan the Terrible was very fond of the monastery: in the main cathedral of the monastery he was baptized as a child, he came here after major victories for a prayer service.

Under the tsar, redevelopment was carried out, white-stone walls and new churches were erected, and the territory acquired its modern dimensions.

At the end of the 16th century, the Holy Trinity Monastery became the largest Russian monastery. He owned almost three thousand settlements, active maritime trade with foreign countries was conducted on his behalf.

The further fate of the monastery was no less eventful:

By the 19th century, the Sergius Lavra was one of the largest Russian monasteries and one of the richest landowners and merchants.

By the beginning of the 20th century, the monastery was in charge of several small monasteries and hermitages, two hotels, shops, workshops, horse yards, tenement houses, printing house. More than four hundred monks lived in it, thousands of pilgrims came from all over the country, many representatives of noble families rested on the territory. Unique treasures of decorative and applied arts were also stored here, a huge library was located (at the beginning of the 20th century, it contained more than 10 thousand handwritten books, annals, and the first printed books).

In the twentieth century

In 1918, the Trinity Lavra was turned into a labor artel in accordance with the decree "On the separation of church and state." The following year, the monks were relocated to the Chernigov and Gethsemane sketes, the theological academy was closed, and the premises were transferred to electrical courses. In the same year, the relics of St. Sergius of Radonezh were opened.

In 1920, despite the requests of Patriarch Tikhon, the Lavra was closed. On its territory, a historical and architectural museum and the Zagorodsky Teachers' Institute (Pedagogical College) were opened. Most of the premises were rebuilt and adapted for household and residential needs.

However, experts could not disappear architectural monuments of the Lavra: already in 1918, the first commission for the protection of monuments and antiquity was convened. In 1938, a young architect Trofimov was invited, who prepared a certificate on the artistic and historical value of the monastery and the need to preserve it. Based on the data he collected, it was decided to recognize the monastery as the Zagorsk State Museum-Reserve. Trofimov himself received the post of chief architect of restoration work.

The very essence of the restoration is noteworthy: Trofimov's task was to restore each building at the moment of its highest artistic flowering. This made it possible to identify the most successful forms for each building, but did not allow creating a single ensemble.

Until 1950, restoration was carried out in the buildings transferred to the Moscow Patriarchate in 1946, then the work touched on all the premises. In the second half of the 50s of the twentieth century, all outside organizations were removed, and the Lavra completely returned to the hands of the patriarchy. Until 1983, the residence of the patriarch was located here. The bulk of the restoration work was completed in 1970.

In 1993, the ensemble was included in the UNESCO list. The relics of St. Radonezh were returned to the Trinity Cathedral in 1946. The Moscow Theological Academy reopened in 1949.

The architectural ensemble of the monastery

On the territory of the monastery there are more than fifty buildings, most of which were built in the XV-XIX centuries. There are more than a dozen churches on the territory, the most revered churches of the Trinity-Sergius Monastery are:

Also live on the territory about two hundred monks the following institutions operate:

Moscow Theological Seminary;
Pilgrimage and excursion centers;
Workshops: stained glass, sewing and gold embroidery, candle, mosaic, ceramic, carpentry;
Sound recording studio;
Publishing house;
Healing source;
Historical Museum.

Holy Trinity Cathedral

This is the oldest temple of the Lavra, which has survived to this day. It was erected in honor of St. Sergius of Radonezh by his disciple and leader of the Lavra, Nikon of Radonezh, in the 20s of the 15th century. The relics of the monk were transferred here, and Andrei Rublev's "Trinity" is also located here. In addition to the cathedral, the Nikonovsky chapel was added. The cathedral is active: Divine Liturgies and prayers to the saint are held daily in it, and they are immediately tonsured monks. It is included in the UNESCO World Heritage List and is protected.

The Trinity Cathedral of the Trinity-Sergius Monastery is the “reference point” for the entire architecture of the monastery: the formation of the entire appearance of the monastery began from it. He is a representative of early Moscow architecture. The church itself is small, built of white stone, has one gilded dome. Its forms are simple but elegant, carved ornaments and outdoor icons are used as decorations. It is noteworthy that the walls of the building are tilted inward (quite noticeably) - this was required by the drum tapering upwards.

The iconostasis was created Andrei Rublev and Daniil Cherny. They also painted the walls, but the painting of the 15th century has not been preserved. Instead, a work of the middle of the 17th century is presented, which repeats the original one.

Information for pilgrims

So that the trip to the Lavra is not in vain, you should familiarize yourself with the following information:

You also need to know where the Trinity-Sergius Lavra is located and how to get to it. There are several ways to get from Moscow to the Trinity Church:

By car: along the Yaroslavl highway (M8 highway). It will pass into the Old Yaroslavl Highway, then into the Moscow Highway, and at the end - into the Prospect of the Red Army, which will go all the way to the Lavra;
By bus: from VDNH metro station by bus number 388 to Sergiev Posad bus station. From there, you can walk to the monastery in about 10-15 minutes. Travel time will be at least an hour and depends on traffic congestion;
By train: from the Yaroslavl railway station to the Sergiev Posad station. The railway station is located near the bus station, and you can also walk to your destination in a few minutes. Travel time will be approximately 1.5 hours.

Among all Russian Orthodox monasteries, the Trinity-Sergius Lavra occupies a special place. This is not just the largest and one of the most famous monasteries, but also a place founded by St. Sergius of Radonezh. Thousands of pilgrims come here every day to venerate the relics of the saint in the main Holy Trinity Cathedral.

The Trinity Cathedral (1422-1423) is one of the few surviving examples of early Moscow white stone construction. The traditional cross-domed four-pillar temple is notable for its small size and modest carved decor. The originality of the building is given by a multi-tiered completion, formed by a system of zakomars and kokoshnikovs.

Trinity Cathedral - the main cathedral church and the oldest surviving building of the Trinity Monastery. It was erected in 1422 by the Monk Nikon "in honor and praise" of the founder of the monastery, the Monk Sergius of Radonezh († 1392). In the Trinity Cathedral, the holy relics of St. Sergius, the main shrine of the monastery, rest in a silver reliquary.

The white stone Trinity Cathedral is one of the most important monuments of early Moscow architecture. The formation of a unique architectural ensemble of the monastery began with the Trinity Cathedral. The oldest painting of the interior walls of the cathedral, made in 1425-1427. venerable icon painters Andrei Rublev and Daniil Cherny, unfortunately, have not come down to us. The surviving painting was made in 1635 and reproduces the ancient iconography of the original painting. The main artistic treasure of the Trinity Cathedral is its five-tiered iconostasis, most of whose icons were made in the first third of the 15th century. Reverend Andrei Rublev and the masters of his circle.

Based on materials from the official website of the Holy Trinity Sergius Lavra House of the Life-Giving Trinity

The white-stone Holy Trinity Cathedral was built in 1422-1423. by order of Abbot Nikon instead of a burned-out wooden building in 1412. Funds for the construction were donated by the Grand Duke of Moscow Vasily I Dmitrievich and his younger brother, the godson of the Reverend Prince Yuri Dmitrievich Zvenigorodsky. The relics of St. Sergius, found in the same year, were transferred to the cathedral. The murals and icons of the temple "mighty to surprise those who see even now" were executed in 1425-1427. Rev. Andrei Rublev and Daniil Cherny "with comrades." From the 16th century the appearance of the building begins to change: in 1510 a new metal dome was made, in 1556 a gilded dome, from the south a chapel was added over the coffin of St. Nikon (1548) and a tent over the grave of Archbishop Serapion of Novgorod, who was archimandrite of the Trinity Monastery before his episcopal consecration (sc. 1516) (1559); porch from the west (until 1584). In the XVIII-XIX centuries. the cathedral had a hipped roof and a north porch. Started in 1925 by D.P. Sukhov, the restoration of the external appearance of the building was basically completed in 1966 according to the project of V.I. Baldin.

The cathedral is one of the most important monuments of early Moscow architecture; it belongs to the type of cross-domed temples characteristic of the era, one-domed, four-pillared and three-apsed, with elevated girth arches and a roof-covering. Its quadrangle with a high plinth has walls somewhat inclined inwards, which, with openings and a drum tapering upwards, creates the illusion of a greater height and monumentality of the structure. The facades, divided by shoulder blades into three strands, are completed with keeled zakomaras; Together with the diagonal kokoshniks, which until 1510 adjoined the pedestal of the drum, they formed the tiered top of the building. The entrances are framed by perspective portals with a keeled archivolt. The walls of the temple, the top of the apses and the drum are decorated with three-part belts with stone carvings. The divisions of the interior do not coincide with the front ones. The dome space, due to the inward inclination of the parabolic spring arches, narrows upwards towards the drum. Vaults are box. An altar barrier up to 3 m high was built in the plane of the eastern pillars. The floor is covered with metlakh tiles. In 1635, the Rublev frescoes, which had fallen into disrepair, were replaced with new ones based on the same composition. These paintings were restored in 1949-1954. brigade P.I. Neradovsky and in 1982-1985. - E.G. Bathel. In 2004, during subsequent restoration work, fragments of plaster with drawings of compositions from the time of St. Andrei Rublev were discovered. Basically, the early high iconostasis, a unique work of Moscow painting of the 15th century, has been preserved. The deesis, festive and prophetic rows in it belong to the masters of the times of the monk. The main icon, "Trinity" is in the State Tretyakov Gallery, in its place is a talented copy. The upper, fifth row of the iconostasis was created in 1600 at the expense of Boris Godunov. The silver shrine with the relics of St. Sergius was created in 1585 under Tsar Theodore Ioannovich at the behest of his father, Ivan the Terrible, who died in 1584. workshop D. Prifa according to the drawing of the court painter and jeweler Caravacca. Here, under glass, the staff and schema of the saint, wooden liturgical vessels from the time of his life are preserved. The heirs to the Moscow throne were baptized in the cathedral - Vasily III, his son Ivan the Terrible and the children of the latter. The uniquely central chandelier of the Trinity Cathedral, which was taken as a trophy by Russian troops from Livonia and donated by Ivan the Terrible to the Trinity Monastery. It was made at the end of the 15th - beginning of the 16th centuries. in Germany.

The chapel of St. Nikon was built in 1548 and rebuilt in 1623. It was restored in the 1930s-1950s. I.V. Trofimov and V.I. Baldin. A small brick temple, lined with white stone up to half the height of the walls, belongs to the type of pillarless, single-domed, single-apse churches. Its quadrangle with a belt of keeled niches at the top is completed with a tier of kokoshniks and an onion dome. The large semicircular altar, as well as the western façade, are decorated with arcades on thin columns with beads. The aisle is covered with a box vault with a formwork cut through by a hole in the light drum. "Sepapion's tent" was built according to legend, on the site of the cell of St. Sergius, in which he was honored with a vision of the Most Holy Theotokos with the apostles. In memory of this, on the western wall there is an image of the Appearance of the Mother of God to St. Sergius. The tent was completely rebuilt in 1829. In 1950 it was painted "antique". Other former archimandrites of the monastery are also buried here - St. Metropolitan Joasaph (Skripitsyn) (sk. 1555), St. Dionysius (Zobninsky) (sk. 1633), who, together with the Trinity cellar Abraham Palitsyn in 1611-1612. wrote and sent out patriotic messages that raised the Russian people to fight against the Polish-Lithuanian invaders. Also, the tent is a repository of monastic shrines, including the right hand of the first martyr Archdeacon Stephen (sk. 34).

The western porch, first mentioned in 1584, was covered in 1642 with a vaulted vault. Fragments of paintings from the 16th century have been preserved here. Under the western vestibule of the cathedral is the tomb of the princes Trubetskoy and Odoevsky with white stone tombstones.

"Trinity Cathedral and "Serapion's tent" (separately) in the complex "Monastery of the Trinity-Sergius Lavra" are objects of cultural heritage of federal significance (Resolution of the Council of Ministers of the RSFSR dated 30.08.1960 No. 1327, Decree of the President of Russia dated 20.02.1995 No. 176 ).

Sources: Catalog "Architectural monuments of the Moscow region", v.2. - M., Stroijzdat, 1999 Materials of the official website of the Trinity-Sergius Lavra "House of the Life-Giving Trinity". Demidov S.V. "On the Trinity Road" Holy Trinity Sergius Lavra, 2005

The cathedral was built in 1422 over the coffin of Sergius of Radonezh on the site of the wooden cathedral of 1412 dedicated to the Trinity (construction was carried out at the expense of Grand Duke Vasily I of Moscow and Prince Yuri Dmitrievich of Zvenigorod). In the XV-XVI centuries. here the heirs of the Moscow throne were baptized, contracts were sealed by kissing the cross at the tomb of Sergius. Like the Cathedral of the Assumption "on Gorodok" in Zvenigorod, this is a four-pillared, cross-domed church, standing on a basement and built of white stone. But the decor, in accordance with the general appearance of the building, became stricter: only a triple ribbon of carved ornament remained, encircling the walls, apses and the drum. The walls are divided here only by flat blades, on which the keeled arches of the zakomar rest.

All forms of the temple are very simple and compact; the apses almost do not protrude beyond the main cube and are raised to the same height, to its very top; keeled kokoshniks, the so-called diagonal kokoshniks, barely rise above the facade zakomaras (the kokoshniks at the pedestal of the drum were dismantled in 1510); smooth walls have a rather significant slope inward, which corresponds to the narrowing of the dome drum at the top. The internal structure of the building does not correspond to the articulation of its facades. The small temple-mausoleum inside is quite spacious: its pillars are strongly shifted to the east, and the altar part is very small, which is probably due to the desire to increase the capacity of the temple. But this shift had an unfavorable effect on the external appearance of the building, somewhat violating its centricity and balance of masses: the head was shifted to the east, the western diagonal zakomaras broke away from it, the southern and northern portals were also located not in the center, but closer to the apses. For the sake of restoring symmetry, it was necessary to maintain a uniform three-part segmentation of the facades with blades, which does not reveal the internal layout.

Inside, the planes of the walls, devoid of any decorative elements, produce an even more austere impression than the outer walls of the facades. From the western facade in the XVI century. a porch was added to the cathedral, and from the south-east in 1548, over the coffin of hegumen Nikon, the Nikon chapel (rebuilt in 1623) was added. Around 1425-1427 the cathedral was painted by Andrei Rublev and Daniil Cherny with assistants. In 1635, due to poor preservation, their frescoes were knocked down and replaced with new ones made by local icon painters, but with the preservation of the old painting system. In the future, the mural painting was repeatedly updated. At present, the walls of the cathedral (in their upper part) are decorated with frescoes from 1635, which were exposed during the restoration work of 1949-1954. (the painting on the lower part of the walls was not preserved and was restored anew in the style of the 17th century). The original ornamental painting, owned by Andrei Rublev, has been preserved only on the slopes of the door in the diakonnik.

Simultaneously with the Trinity Cathedral in 1635, the Nikonovsky chapel was also painted, but the painting of this time was preserved only in its middle zakomara above the apse (composition "The Virgin with the Child and Saints") and in the piers of the dome drum (fragmentary). Andrei Rublev and Daniil Cherny with an artel was completed approx. 1425-1427 and the iconostasis (with the exception of the ancestral tier, created in 1600 at the behest of Boris Godunov). In addition, Andrei Rublev a few years earlier painted the Trinity icon for the Trinity Cathedral, which was part of the local row of the iconostasis (since 1929 it has been kept in the Tretyakov Gallery, and a copy is in its place). The local row also includes another deeply revered icon "Sergius with Life" (late 15th century), belonging to the school of Dionysius. In the cathedral there is a silver shrine over the coffin of Sergius of Radonezh (made by the masters of the Armory in Moscow at the end of the 16th century at the behest of Ivan the Terrible), an excellent example of Russian coinage (entered the monastery after the death of the Terrible in 1585 as a contribution of Tsar Theodore and Tsarina Irina). The silver canopy, the contribution of Empress Anna Ioannovna, was made in Moscow in the workshop of David Prifa and installed in 1737.

http://www.bestreferat.ru/referat-88036.html

Church in the name of St. Nikon of Radonezh (1623)

On the south side of the Trinity Cathedral adjoins the Nikon Church, placed over the coffin of the successor and disciple of the Trinity First Abbot, the Monk Nikon of Radonezh († 1428). On February 25 (March 9), 1547, the Church Council established the universal veneration of the memory of St. Nikon, the wonderworker of Radonezh - a disciple and closest associate of St. Sergius, close to him both in earthly and in eternal life. The following year, a small stone church was built over the grave of St. Nikon, replaced 75 years later by the existing temple. Nikonovskaya Church is closely adjacent to the southern wall of the Trinity Cathedral, being perceived along with it as a single whole. The original temple, from which the foundation was only partially preserved, was built in 1548. The existing one-pillar, single-apse, single-domed temple with a box vault was erected on the site of an earlier one in 1623-1624. Its dimensions and proportions are correlated with the Trinity Cathedral: the height of the Nikonovsky church with a cross (23 m) exactly corresponds to the height of the interior of the Trinity Cathedral.

Nikonovskaya Church differs from the ancient monastic church in its richer decorative decoration and special plasticity of forms. The walls of the temple are decorated with thin semi-columns with three rows of "beads" and lancet arches, the upper part of the quadrangle is supplemented with a decorative belt of kiotcha niches. At the same time, the horizontal divisions of the facades follow the slope of the terrain: the relief of the hill is repeated by the inclined line of the base, reflected in the position of the “beads” on the semi-columns of the apses. The altar and the nave of the pillarless temple are not separated by pylons or a barrier, thanks to which the interior of the church represents a single free space. The walls of the church were painted with frescoes in 1635, simultaneously with the resumption of painting in the Trinity Cathedral. The original decoration of the interior of the church has not been preserved, with the exception of fragments of frescoes from 1635 with images of pillars in the piers of the windows of the drum and a fresco image of the Mother of God with the Divine Infant and saints on the outer plane of the middle zakomara above the apse. The modern carved gilded iconostasis and the shrine above the relics of St. Nikon at the northern wall of the temple, that is, the southern wall of the Trinity Cathedral, date back to the 1950s. (the relics are hidden). Icons with images of St. Sergius and St. Alexis, eighteen icons with figures of the disciples of the Trinity First Abbot for the canopy over the shrine, as well as the icon of St. Nikon on the shrine were painted by the nun Juliana (in the world Maria Nikolaevna Sokolova, + February 16, 1981). She also owns one of the rare icons “St. Nikon leaving the cell and seeing the Saints of Moscow appearing to him: Peter and Alexy and St. Sergius walking towards the temple”, which includes twenty hagiographic hallmarks.

Great shrines are collected in the Nikonovsky chapel of the Trinity Cathedral. Here is a venerated list of the icon of the Mother of God "Quick to Hear", a piece of stone from the Holy Sepulcher, brought by A.N. Muravyov in 1850 from Jerusalem, the image of St. Alexis of Moscow, the icons of the disciples of St. Sergius. The restoration of the Nikon Church took place in the 1940s - 1950s, initially under the leadership of I.V. Trofimov, then V.I. Baldin. The pozakomar covering of the ancient form of the roof of the altar apse was restored. Simultaneously with the restoration of the facades and roofing, the interior was reconstructed, including a wooden gilded tombstone over the grave of St. Nikon, made in the 1950s.

http://www.stsl.ru/about_lavra/all/nikonovskiy-khram-1623/

Trinity Cathedral (1422-23)

Trinity Cathedral - the main cathedral church and the oldest surviving building of the Trinity Monastery, the first stone building of the Lavra. It was erected by the Monk Nikon in 1422-23. "in honor and praise" to the founder of the monastery, St. Sergius of Radonezh († 1392) on the site of the first wooden Trinity Church. The construction of the temple was carried out with the assistance of the son of Grand Duke Dmitry Ivanovich Donskoy - Prince Yuri Dmitrievich of Zvenigorod and Galicia, the godson of St. Sergius. The place where the relics of the Trinity First Abbot rest is the holy of holies of the monastery.

The Trinity Cathedral is a small four-pillar cross-domed church with one dome and three low apses on a high basement (part of the basement is currently covered by a cultural layer). The walls of the cathedral are made of regular blocks of white stone, their thickness and massiveness is emphasized by deep perspective portals and narrow slit-like windows. Flat wide blades give the facades a three-part division and have the significance of constructive pilasters. The smooth walls of the cathedral end with keeled zakomaras, the arched masonry of which rests on the capitals of the pilasters and is separated from the plane of the walls by an additional ledge (for the first time in Russian architecture, an original interpretation of the classical order system is used in this way). The keeled shape of the zakomar is repeated by two rows of kokoshniks at the base of the drum of the dome, which has retained the ancient helmet shape. The only decoration of the cathedral is a wide ornamental belt of three ribbons of skillfully carved "wicker" pattern, which adorns the facades, altar apses and the drum of the dome. Despite its small size - the height of the temple to the top of the cross is 30 m - the cathedral gives the impression of a majestic and powerful structure. All forms of the temple are simple and compact - the apses almost do not protrude beyond the main volume and are raised to the same height, the keeled arches (kokoshniks) barely rise above the zakomaras of the facades, the walls have a significant inclination inward (up to 45 cm). The severe beauty and conciseness of the decor - white-stone carved belts with repeating motifs of woven crosses and flowers - give the building features of perfection, which the chronicler expressed in the words: "a beautiful church has been erected."

Typologically, the Trinity Cathedral belongs to the few surviving monuments of early Moscow architecture of the late 14th - early 15th centuries, when the image of a compact single-domed court-prince's church without a vestibule was formed. This type includes the cathedrals in Zvenigorod - the Uspensky on Gorodok (1400) and the Nativity of the Savvino-Storozhevsky Monastery (1405), as well as the Spassky Cathedral of the Andronikov Monastery in Moscow (1427). A few early Moscow churches were created at the behest of members of the Grand Duke's house. The construction of one of the first white-stone cathedrals in Moscow Rus' at the Trinity Monastery testified to the historical recognition of the great significance of the personality of St. Sergius and the monastery founded by him. The interior of the cathedral is remarkable for its amazing integrity. Soft diffused light coming from the top of the ten (instead of the usual eight) narrow windows of the dome drum allows you to thoughtfully and slowly contemplate the holy faces of the high five-tiered iconostasis, pillar and wall icon cases, and fresco painting. At the southern wall next to the iconostasis is the tomb of the founder of the monastery, St. Sergius. The ancient Byzantine tradition of placing the shrine with the relics of the saint in the southern part of the temple, in front of the altar, perpendicular to the iconostasis, is observed in the cathedral. Design features give the monument features of unique originality. The pillars of the cathedral are strongly shifted to the east, its head is shifted to the altar part, the southern and northern portals are located closer to the apses. This architectural technique allows you to increase the space of the central nave, while at the same time making the altar part of the temple small in size. The inclination of the walls, pylons and the drum of the dome towards the center of the temple, the elongated arches of the upper part of the cathedral give the impression of an increased height of the building. The entire system of the cross-domed church here is subordinated to one task - the creation of a single integral internal space.

The iconostasis of the Trinity Cathedral is unique. It was created at a time when, in the Russian church tradition, a systematically thought-out and visually integral multi-tiered iconostasis was taking shape as an image of the City of Heaven, as a phenomenon of the Church of the Heavenly Church on earth. This is the only complex of the beginning of the 15th century that has been preserved in the temple, for which it was intended. The icons and frescoes of the Trinity Cathedral were made by an artel of masters under the direction of the Monk Andrei Rublev and Daniil Cherny in 1425-1427. As the main temple icon, "in praise of St. Sergius" the icon "Trinity" was painted - the great work of Andrei Rublev and the most famous work of Russian icon painting in the world. The idea of the Triune God is embodied in the icon with amazing perfection. The image is full of deep meaning, reflecting the essence of the ascetic service of St. Sergius: “so that by looking at the Holy Trinity the hated strife of this world is rooted out” (since 1929, the icon has been kept in the State Tretyakov Gallery; a copy is presented in the iconostasis). The icon "Trinity" of St. Andrei Rublev was created as a "vicress", that is, an icon of the lower, local rank of the iconostasis. In the Trinity Cathedral, this row of the iconostasis was formed over the course of the 15th-17th centuries. Its folding took place simultaneously with the appearance of icons on the walls and pillars of the cathedral and was largely determined by the general process of formation and development of the liturgical space of the temple, the most important element of which was the revered shrine - the tomb with the relics of the founder of the monastery, St. Sergius of Radonezh. In the XVI century. the local row was supplemented with two icons of the "sovereign and tsar and Grand Duke John Vasilyevich of all Rus' to the contribution." This is the icon of the "Trinity" (currently located to the left of the Royal Doors) and "the image of the local miracle worker Sergius with the deed, overlaid with gold." The half-length image of St. Sergius dates from the end of the 15th century. and refers by researchers to the works of the circle of Dionysius. This image is the earliest known hagiographic icon of St. Sergius. Andrey Rublev "with associates" painted icons of three rows of the iconostasis: deesis, festive and prophetic ranks. The Deesis tier includes fifteen icons depicting saints, including the Great Martyrs George and Demetrius, whose images are associated with the tradition of the church-wide commemoration of fallen soldiers on Demetrius Saturday. The origins of this tradition go back to the prayer of St. Sergius of Radonezh, during which he commemorated the names of the soldiers of Prince Dmitry Donskoy who died on the Kulikovo field. In the festive row of nineteen icons on the plots of the Gospel story from the Annunciation of the Blessed Virgin Mary and the Nativity of Christ to the Assumption of the Blessed Virgin Mary, the central place is occupied by two icons "Communion of the Apostles". The prophetic row includes six paired icons with half-length figures of the prophets and is the oldest of the known images of the prophets in the iconostasis. In 1600, by order of Tsar Boris Fedorovich Godunov, the upper rank was completed - twenty-one icons of "forefathers with cherubs, overlaid with silver." In 1643, Tsar Mikhail Fedorovich “granted ... royal doors to the church” in a chased silver frame. The royal gates from the Rublev iconostasis were transferred to the one built in 1635-1637. church in the name of the Monks Zosima and Savvaty of Solovetsky (now located in the museum "Sacristy of the Trinity-Sergius Lavra"). In the local row of the iconostasis and on the southwestern pillar, there are signed icons by the famous master of the Moscow Kremlin Armory, the royal painter Simon Ushakov: “The Savior Not Made by Hands” (1674), “The Savior on the Throne” (1684), “The Descent of the Holy Spirit on the Apostles” ( 1682). Unlike the iconostasis, the original murals of the Trinity Cathedral have been almost completely lost, with the exception of a small fragment in the altar of the temple. In 1635, the frescoes of the cathedral were renewed, preserving the iconographic scheme of the ancient painting. In the following centuries, the painting was repeatedly updated and covered with new records (the last time was in 2002-2004). Until the end of the XVI century. the relics of St. Sergius were in a wooden shrine, created after their miraculous acquisition (currently located in the Assumption Cathedral).

By 1585, by order of Tsar John IV Vasilievich and his son Fyodor Ioannovich, a silver shrine was made for the main shrine of the monastery, decorated with overlaid figured chased hallmarks with texts from the Life of St. Sergius. In 1730-1741. By order of Empress Anna Ioannovna, a silver canopy (weighing more than 25 pounds) was made for the shrine with relics. The chased lid of the shrine dates back to the 19th century. Behind the glass next to the tomb are the things of the Reverend — a schema, a staff and two wooden liturgical plates. The interior of the temple has been modified and replenished with new precious donations over the course of several centuries. After 1917, only the most important monuments were left in the Trinity Cathedral. The under-dome space of the temple is illuminated by a gilded copper chandelier of the end of the 15th century. the work of the German workshop Fischer. The Late Gothic monument with cast figures of the Savior, the Blessed Virgin and the Twelve Apostles is one of the many contributions to the Trinity Monastery of Tsar Ivan Vasilyevich the Terrible. The silver chased settings for the icons of the ancestral rank (1778) and icon cases with pediments around the pillars (19th century) belong to a later period. In the altar of the cathedral, a gilded steel bishop's chair made by Tula craftsmen of the late 18th century, presented to the Holy Archimandrite of the Trinity-Sergius Lavra, Metropolitan Platon (Levshin) of Moscow, as well as a canopy over the throne made in 1809 from silver, have been preserved. The western porch adjacent to the cathedral was first mentioned in 1584. At the entrance to the cathedral from the side of the porch, next to the painted portal, you can see frescoes of the 16th century. with the image of St. Sergius and Nikon of Radonezh. The iron door leading to the southern vestibule retained a hole from the core, received during the siege of the monastery by the Polish-Lithuanian troops in 1608-1610. In the southwestern corner of the temple there is a memorial plaque over the grave of Prince Andrei Vladimirovich of Radonezh (monastic Savva).

Trinity Cathedral - the main temple of the Lavra. In the architectural ensemble of the Lavra, its dominance is emphasized by the gilded pozakomar coating and the avenue that directly connects the cathedral with the Holy Gates. The restoration of the Trinity Cathedral began in 1925 with the dismantling of the later northern porch and the restoration of the white stone masonry of the northern facade. The work was supervised by the architect D.P. Sukhov. In 1926, he also restored three of the five previously hewn window openings in the apses of the temple. In 1939-40. soundings were carried out to search for traces of frescoes of the 15th century. The restoration of fresco painting was completed in 1953. In 1954, under the guidance of architect V.I. Baldin, the restoration of the facades of the cathedral was resumed: they were cleaned of the canvas pasted on them and oil painting of the 18th-19th centuries, the ancient forms of portals and window openings were restored. In 1966, this stage of restoration was completed by the restoration of the mosquito cover.

http://www.stsl.ru/about_lavra/all/troitskiy-sobor/

Trinity Cathedral - the main cathedral church and the oldest surviving building of the Trinity Monastery, the first stone building of the Lavra. It was erected by the Monk Nikon in 1422-23. "in honor and praise" to the founder of the monastery, St. Sergius of Radonezh († 1392) on the site of the first wooden Trinity Church. The construction of the temple was carried out with the assistance of the son of Grand Duke Dmitry Ivanovich Donskoy - Prince Yuri Dmitrievich of Zvenigorod and Galicia, the godson of St. Sergius. The place where the relics of the Trinity First Abbot rest is the holy of holies of the monastery.

The council of the clergy and the disciples of the blessed one with the great princes made a good decision
lay a stone church over the tomb of the saint. The closest disciple of Saint Nikon together with the brethren
began with the help of Christ-loving princes, who had faith, love and zeal for the saint,
build a holy temple of the Consubstantial Trinity in praise of his father.
And he erected a beautiful church, and covered it with wondrous murals,
and filled with ornaments.

View of the Trinity Cathedral from the north side

Despite its small size - the height of the temple to the top of the cross is 30 m - the cathedral gives the impression of a majestic and powerful structure. All forms of the temple are simple and compact - the apses almost do not protrude beyond the main volume and are raised to the same height, the keeled arches (kokoshniks) barely rise above the facades, the walls have a significant inclination inward (up to 45 cm). The severe beauty and conciseness of the decor - white-stone carved belts with repeating motifs of woven crosses and flowers - give the building features of perfection, which the chronicler expressed in the words: "a beautiful church has been erected."

M. Gadalov. View of the Trinity Cathedral
and Nikonovsky aisle from the east side. Lithography. 1853

Typologically, the Trinity Cathedral belongs to the few surviving monuments of early Moscow architecture of the late 14th - early 15th century, when the image of a compact single-domed court-prince's church without a vestibule was formed. This type includes the cathedrals in Zvenigorod - Uspensky on Gorodok (1400) and the Nativity Savvino-Storozhevsky Monastery (1405), as well as the Spassky Cathedral of the Andronikov Monastery in Moscow (1427). A few early Moscow churches were created at the behest of members of the Grand Duke's house. The construction of one of the first white-stone cathedrals in Moscow Rus' at the Trinity Monastery testified to the historical recognition of the great significance of the personality of St. Sergius and the monastery founded by him.

Cover from the relics of St. Sergius of Radonezh. Beginning 15th century

The interior of the cathedral is remarkable for its amazing integrity. Soft diffused light coming from the top of the ten (instead of the usual eight) narrow windows of the dome drum allows you to thoughtfully and slowly contemplate the holy faces of the high five-tiered iconostasis, pillar and wall icon cases, and fresco painting. At the southern wall next to the iconostasis is the tomb of the founder of the monastery, St. Sergius. The ancient Byzantine tradition of placing a shrine with the relics of a saint in the southern part of the temple, in front of the altar, is observed in the cathedral, perpendicular to the iconostasis.

Design features give the monument features of unique originality. The pillars of the cathedral are strongly shifted to the east, its head is shifted to the altar part, the southern and northern portals are located closer to the apses. This architectural technique allows you to increase the space of the central nave, while at the same time making the altar part of the temple small in size. The inclination of the walls, pylons and the drum of the dome towards the center of the temple, the elongated arches of the upper part of the cathedral give the impression of an increased height of the building. The entire system of the cross-domed church here is subordinated to one task - the creation of a single integral internal space.

Iconostasis of the Trinity Cathedral of the Trinity-Sergius Lavra

The icons and frescoes of the Trinity Cathedral were made by an artel of masters under the direction of the Monk Andrei Rublev and Daniil Cherny in 1425-1427. As the main temple icon, “in praise of St. Sergius”, the icon “Trinity” was painted - the great creation of Andrei Rublev and the most famous work of Russian icon painting in the world. The idea of the Triune God is embodied in the icon with amazing perfection. The image is full of deep meaning, reflecting the essence of the ascetic service of St. Sergius: “ so that by looking at the Holy Trinity the hated strife of this world is eradicated”(since 1929, the icon has been kept in the State Tretyakov Gallery; a copy is presented in the iconostasis).

The Holy Trinity. Copy of the icon of St. Andrew Icon Painter

The icon "Trinity" of St. Andrei Rublev was created as a "vicress", that is, an icon of the lower, local, rank of the iconostasis. In the Trinity Cathedral, this row of the iconostasis was formed over the course of the 15th-17th centuries. Its folding took place simultaneously with the appearance of icons on the walls and pillars of the cathedral and was largely determined by the general process of formation and development of the liturgical space of the temple, the most important element of which was the revered shrine - the tomb with the relics of the founder of the monastery, St. Sergius of Radonezh.

In the XVI century. the local row was supplemented with two icons of the "sovereign and tsar and Grand Duke John Vasilyevich of all Rus' to the contribution." This is the icon of the "Trinity" (currently located to the left of the Royal Doors) and "the image of the local miracle worker Sergius with the deed, overlaid with gold." The half-length image of St. Sergius dates from the end of the 15th century. and refers by researchers to the works of the circle of Dionysius. This image is the earliest known hagiographic icon of St. Sergius.

Rev. Sergius with life. End of the 15th century
The contribution of Tsar Ivan Vasilyevich (the Terrible)

Andrey Rublev "with associates" painted icons of three rows of the iconostasis: deesis, festive and prophetic ranks. The Deesis tier includes fifteen icons depicting saints, including the Great Martyrs George and Demetrius, whose images are associated with the tradition of the church-wide commemoration of fallen soldiers on Demetrius Saturday. The origins of this tradition go back to the prayer of St. Sergius of Radonezh, during which he commemorated the names of the soldiers of Prince Dmitry Donskoy who died on the Kulikovo field.

In the festive row of nineteen icons on the plots of the Gospel story from the Annunciation of the Blessed Virgin Mary and the Nativity of Christ to the Assumption of the Blessed Virgin Mary, the central place is occupied by two icons "Communion of the Apostles". The prophetic row includes six paired icons with half-length figures of the prophets and is the oldest of the known images of the prophets in the iconostasis.

In 1600, by order of Tsar Boris Fedorovich Godunov, the upper rank was completed - twenty-one icons of "forefathers with cherubs, overlaid with silver."

Newly tonsured monks of the monastery of St. Sergius in the Trinity Cathedral of the Lavra

In 1643, Tsar Mikhail Fedorovich “granted ... royal doors to the church” in a chased silver frame. The royal gates from the Rublev iconostasis were transferred to the one built in 1635-1637. church in the name of the Monks Zosima and Savvaty of Solovetsky (now located in the museum "Sacristy of the Trinity-Sergius Lavra"). In the local row of the iconostasis and on the southwestern pillar, there are signed icons by the famous master of the Moscow Kremlin Armory, the royal painter Simon Ushakov: “The Savior Not Made by Hands” (1674), “The Savior on the Throne” (1684), “The Descent of the Holy Spirit on the Apostles” ( 1682).

Trinity Cathedral of the Trinity-Sergius Lavra

Unlike the iconostasis, the original murals of the Trinity Cathedral have been almost completely lost, with the exception of a small fragment in the altar of the temple. In 1635, the frescoes of the cathedral were renewed, preserving the iconographic scheme of the ancient painting. In the following centuries, the painting was repeatedly updated and covered with new records (the last time - in 2002-2004).

Cancer of St. Sergius of Radonezh

Until the end of the XVI century. the relics of St. Sergius were in a wooden shrine, created after their miraculous acquisition (currently located in the Assumption Cathedral). By 1585, by order of Tsar John IV Vasilievich and his son Fyodor Ioannovich, a silver shrine was made for the main shrine of the monastery, decorated with overlaid figured chased hallmarks with texts from the Life of St. Sergius. In 1730-1741. By order of Empress Anna Ioannovna, a silver canopy (weighing more than 25 pounds) was made for the shrine with relics. The chased lid of the shrine dates back to the 19th century. Behind the glass next to the tomb are the things of the Reverend - a schema, a staff and two wooden liturgical plates. The interior of the temple has been modified and replenished with new precious donations over the course of several centuries. After 1917, only the most important monuments were left in the Trinity Cathedral.

Chandelier. End of the 15th century The contribution of Tsar Ivan Vasilyevich (the Terrible)

The under-dome space of the temple is illuminated by a gilded copper chandelier of the end of the 15th century. the work of the German workshop Fischer. The Late Gothic monument with cast figures of the Savior, the Blessed Virgin and the Twelve Apostles is one of the many contributions to the Trinity Monastery of Tsar Ivan Vasilyevich the Terrible. The silver chased settings for the icons of the ancestral rank (1778) and icon cases with pediments around the pillars (19th century) belong to a later period.

Bishop's chair in the altar of the Trinity Cathedral

In the altar of the cathedral, a gilded steel bishop's chair made by Tula craftsmen of the late 18th century, presented to the Holy Archimandrite of the Trinity-Sergius Lavra, Metropolitan Platon (Levshin) of Moscow, as well as a canopy over the throne made in 1809 from silver, have been preserved.

The western porch adjacent to the cathedral was first mentioned in 1584. At the entrance to the cathedral from the side of the porch, next to the painted portal, you can see frescoes of the 16th century. with the image of St. Sergius and Nikon of Radonezh.

The iron door leading to the southern vestibule retained a hole from the core, received during the siege of the monastery by the Polish-Lithuanian troops in 1608-1610.

Burial of Prince Andrei Vladimirovich, son of Prince Vladimir the Brave
- Hero of the Battle of Kulikovo. South wall of the Trinity Cathedral

In the southwestern corner of the temple there is a memorial plaque over the grave of Prince Andrei Vladimirovich of Radonezh (monastic Savva).

The restoration of the Trinity Cathedral began in 1925 with the dismantling of the later northern porch and the restoration of the white stone masonry of the northern facade. The work was supervised by the architect D.P. Sukhov. In 1926, he also restored three of the five previously hewn window openings in the apses of the temple.

In 1939-40. soundings were carried out to search for traces of frescoes of the 15th century. The restoration of the fresco painting was completed in 1953.

View of the Trinity Cathedral
and Nikonovsky aisle from the southeast side

In 1954, under the guidance of architect V.I. Baldin, the restoration of the facades of the cathedral was resumed: they were cleaned of canvas pasted on them and oil painting of the 18th-19th centuries, the ancient forms of portals and window openings were restored. In 1966, this stage of restoration was completed by the restoration of the mosquito cover.

Znamenny choir of the Trinity Cathedral of the Lavra

Divine services in the Trinity Cathedral are performed daily:

- during weekdays:

Common fraternal prayer service and Midnight Office at the relics of St. Sergius of Radonezh - at 5 o'clock. 30 min.; Divine Liturgy - beginning at 6 o'clock. 30 min.; cathedral prayer service with an akathist to the Mother of God - on Fridays, beginning at 17:00; prayers with an akathist to St. Sergius at the shrine with his holy relics - from 8 o'clock. 30 min. up to 20 o'clock. 30 minutes.

- on Sundays and public holidays:

Divine Liturgy - beginning at 6 o'clock. 20 minutes.; prayers with an akathist to St. Sergius - from 5 o'clock. until 6 o'clock. 15 minutes. and from 8 h. 30 min. up to 20 o'clock. 30 min.; cathedral prayer service with an akathist to St. Sergius - on Sundays, beginning at 17:00.

On Pascha, on the days of Great Lent, and on some Twelfth and patronal feasts, divine services will be celebrated according to a special schedule.

Tags: History of the Holy Trinity Sergius Lavra, Architecture

Trinity Cathedral is the main Orthodox shrine of the Shchelkovsky deanery of the Moscow diocese. The cathedral captivates many guests of the city, and even the most townspeople, with its unique architecture. Very rarely in Russian lands you can find the Orthodox Gothic style. Trinity Cathedral (Schelkovo) has already become one of the city's architectural calling cards.

But this temple is famous among Christians not only for its appearance and interior decoration. The new martyrs of Schelkovo served in the cathedral at different times, and the miraculous icon of Seraphim of Sarov is also located in the temple.

History of the Trinity Cathedral

Shchelkovo from the very moment of its foundation was a developed, densely populated factory town. A trading settlement with such a large Orthodox population needed a church. People traveled to the service to the St. Nicholas Church in the village of Zhegalova. The initiators of the construction of the cathedral in Shchelkovo were the police officer Pavel Strizhev and the owner of the weaving factory Alexander Sinitsyn, who gave part of his land for the temple. The project of a large cathedral was developed by the architect S. M. Goncharov, who was not unknown at that time. Already in 1915, the team completed the construction of the temple building and began interior decoration.

In 1925, due to known circumstances (propaganda of atheism), the temple was closed. The main building of the shrine functioned as a theater thanks to excellent acoustics, and the other buildings of the temple complex were given over to warehouses. During the war years, there was a foundry in the basement of the cathedral, where grenades were produced. The temple has forever lost its original shape: the dome was melted down, the bell tower was dismantled and the entire basement floor was completely clogged with casting waste.

Already in 1980, they wanted to blow up the temple, but this intention was delayed due to the Olympics in Moscow. In 1990, all that was left of the cathedral was again given to the Orthodox community, and in 1991, a service was again conducted in the Trinity Church. The shrine was restored and completed gradually, in subsequent years.

Today, the Trinity Cathedral (Schelkovo) is the main temple in the Shchelkovsky district of the Moscow diocese. It was consecrated several times: on December 5, 2010 by Metropolitan Yuvenaly, and in 2011, 12 new bells were consecrated for Ascension.

How to get to the temple? Address, bus schedule Schelkovo - Trinity Cathedral

The cathedral is located in the city of Shchelkovo, on 8 Proletarsky Prospekt. "Voronok", and then by minibus number 6, 7 you need to get to the station "Proletarsky Prospekt". Or from the Schelkovskaya metro station by bus No. 349, 335 or 361 to the Proletarsky Prospekt station.

Shchelkovo New Martyrs

Metropolitan Yuvenaly in 2008 blessed the celebration of the day of memory of the Shchelkovo New Martyrs every year on the first Thursday of Petrovsky Lent. The icon of the New Martyrs is located in the main cathedral. It shows:

Hieromartyr Vasily Krylov has been a priest of the Trinity Cathedral since 1934.
Alexander Krutitsky comes from an old spiritual family, he is the first of the saints who was canonized on Shchelkovo land.
Mikhail Nikologorsky served in the church from 1921 until the arrest of the NKVD.
Vasily Sungurov and Sergiy Kudryavtsev served in the church until its closure, were faithful to their pastoral duty, for which they experienced many arrests, persecutions, and interrogations.

Clergy of the Trinity Cathedral, clergymen

The rector of the Cathedral of the Holy Trinity - Archpriest Andrey Pavlovich Kovalchuk, is also the dean of the Shchelkovsky district.
Priest Yevgeny Andreyevich Trushin is a member of the diocesan department for media relations and publishing work.
Maxim Alifanov has been a priest at the Trinity Cathedral of Shchelkovo since 2006, before that he served in the city of Kamenetz-Podolsk.
Dimitry Tretyakov is a member of the diocesan missionary department.
John Lapkin - the cleric of the temple, in the past he served in the Assumption Cathedral of the Novodevichy Convent.
Alexander Amelin - cleric of the Trinity Cathedral.
Deacon
Dimitri Medvedev - deacon.

Shrines in Trinity Cathedral

The cathedral houses a valuable icon of the venerable wonderworker Seraphim of Sarov. This is a very important icon in the Christian world, as the saint is revered not only by Orthodox, but also by Catholics. Seraphim is most often asked for harmony, peace and the cessation of spiritual suffering. Seraphim of Sarov is also honored for his willpower and fortitude of faith. Those who lack their own will often fall to his icon, suffering from addictions - alcohol, nicotine, gluttony. History also knows many cases of miraculous healings in front of the icon of the miracle worker, even from the most serious ailments. The Orthodox Church honors the memory of the miracle worker on January 15, on the same day, men baptized under the name Seraphim celebrate the day of the guardian angel.

The image of the saint has been in the Trinity Cathedral since the foundation of the shrine. After the temple was closed, many valuable things in the chapels were looted. But this icon was saved by one of the village parishioners. The canvas was kept by him in a dark place, it faded and darkened. But when, after the restoration of the temple, the icon was returned to the church, the image was renewed on its own. The miracle of a self-renewing icon in this temple happened for the first time.

Wedding, baptism, rites in the Trinity Cathedral

The area around the cathedral complex is very picturesque, and the church itself has a very skillfully painted dome, iconostasis. Therefore, couples often choose the Trinity Cathedral, Shchelkovo to perform the sacrament of the wedding. Photos against the background of the temple are very beautiful, the architecture of the cathedral is unique in style. Infants are baptized in groups. Preparation for the wedding ceremony is the same as in other Orthodox churches, according to Orthodox canons. The couple needs to fast, confess and take communion before the wedding.

Trinity Cathedral, Shchelkovo: schedule of services, liturgies

Residents of a big city often depend on transport inconveniences and lack of time. Now, even when visiting a church, you need to estimate the time of the service, the schedule of liturgies, etc. On the website of the cathedral or the Shchelkovo deanery, you can see a detailed list of schedules for daily early and evening services for the next month.

On weekdays, not holidays, the morning liturgy begins at 08:30, the service lasts 2-2.5 hours, includes reading of the hours, confession, reading of the Gospel, communion, sermon and communion prayer. Evening service starts at 17:00.

Like some large monasteries, the Trinity Cathedral in Shchelkovo has a schedule of services on holidays and Sundays in two stages. The early liturgy begins at 06:30, after the service the parishioners take communion. The late morning liturgy begins at 09:00, the second service is often a bishop's, it is led by the bishop, archpriest or rector of the cathedral. The second Sunday service is often attended by many children for communion (since the time is convenient).

The schedule of services in the Trinity Cathedral (Schelkovo) in the evening also differs on weekdays and holidays. Evening service on holidays or Sundays begins at 17:00, an akathist is read at the evening service. It lasts 2-2.5 hours, depending on whether the hours or polyeles are read in the service. Before major Orthodox holidays, the Divine Liturgy and All-Night Vigil are held in the church at 17:00.

Parish life of the main temple of the city of Shchelkovo

Trinity Cathedral (Schelkovo) is the main Orthodox shrine of the region. The priests of the temple not only conduct church services, but also conduct active charitable, educational and educational activities. Weekly events with children, students, workers, according to priests, contribute to the spread of good deeds, peace and harmony. Every year, the Orthodox Book Festival is held in the church, which is attended by many schoolchildren, intellectuals and just kind, smart people.

The temple also hosts events with an educational and entertainment bias: a feast of Orthodox baking, a divine service with a children's choir, excursions around the Trinity Church, a Christmas tree feast, etc. The cathedral also organizes pilgrimage trips for adults, schoolchildren, students of theological seminaries to Orthodox shrines .

Trinity-Izmailovsky Cathedral (Russia) - description, history, location. Exact address and website. Reviews of tourists, photos and videos.

Hot tours in Russia
Tours for the New Year Worldwide

Previous photo Next photo

Trinity Cathedral in St. Petersburg is an architectural monument of late classicism. It got its name from the name of the Izmailovsky regiment, one of the oldest in Russia. The regiment was founded by Empress Anna Ioannovna in 1730 under the name of the village of Izmailovskoye in the Moscow region. Often the temple is called the Trinity-Izmailovsky. It is one of the most monumental in the Northern capital.

In the Trinity-Izmailovsky Cathedral in 1867, the writer F. Dostoevsky married A. Snitkina. Composer A. G. Rubinshtein was buried within the walls of the temple.

Trinity Cathedral is a tall white temple with five blue domes, made in the shape of a hemisphere, studded with bronze stars and gilded crosses. According to legend, the color of the domes was chosen according to the color of the uniforms of the Izmailovsky regiment. The main dome of the temple can be seen almost 20 kilometers away. The small domes of the temple are located above the columns of the porticos.

The facades are decorated with four 6-column porticoes of the Corinthian order. Bronze figures of angels are placed in the niches of the western portal. Not far from the temple, there is a chapel that has been restored.

The interior of the temple is decorated with Corinthian columns and pilasters covered with white artificial marble. The main dome seems to soar upwards. The walls and vaults were painted by artists T. A. Medvedev and A. I. Travin. The semicircular iconostasis forms a single whole with the canopy above the altar. Decorated with Corinthian columns.

One of the most revered shrines of the Trinity-Izmailovsky Cathedral is the icon of the Holy Trinity, painted in the 15th century.

Since the temple served as the main garrison church of the city, its walls were decorated with Turkish banners - trophies obtained during the battles in the Russian-Turkish war of 1877-1878. In memory of the fallen soldiers, their names were carved on marble plaques. Trinity Cathedral in St. Petersburg is sometimes called "Bulgarian". According to one version, it was built with the money of the people of Bulgaria as a token of gratitude to the soldiers of Russia for their help in liberation from Turkish soldiers.

New icons appeared in the temple, including mosaic images of Saints Peter and Paul and Nicholas the Wonderworker.